| Jaimanitas Wall |
The Cuban government values and supports the arts through education and funding and makes certain they are accessible for everyone. We covered three areas of the island and had a good deal of exposure to artists of all genres in each setting. But in Havana, two evenings were devoted to learning about community art projects
and having dinner and discussions on the premises.
| The talented, charismatic Victor |
One such project was Muraleando, situated in a Havana barrio.
Through the vision, efforts, and persuasiveness of an artist named Victor, this
community arts project transformed a literal garbage dump into a place of
colorful murals, mosaics, installations, and street art. It’s now a space for
performances and an area for art lessons.
Most of the artists
work at day jobs and teach music or visual arts at Murealando. The musician who sat next to Annis at dinner taught special education children during the day. He had also been trained as a dentist.
The artists brought food to share with us, and we tried the signature
award-winning cocktail created by the bartender—el tanque (The Tank). We didn’t learn the proportions but it
contains coffee and coconut liqueur with rum and a piece of chocolate. Powerful
and tasty.
| Murealando wall |
Once inside, we saw a video chronicling the transformation of "The Tank" and then we were treated to a music performance and encouraged to join in the dancing.
Below, Marty is ready to join in and Sherry dances with the young girl. One of the band members gives Marie a few brief instructions.
In Jaimanitas, a village on the outskirts of Havana, another unique art
project extends throughout an entire neighborhood. We strolled through
the area to see the
elaborate decorations on the homes and walls and in the yards. Begun by
Cuban
artist and sculptor Jose Fuster many years ago, the neighborhood has
become an
“homage to Antoni GaudÃ."
| The home of the community's medical doctor |
Though we did not get to meet the artist, Fuster, after our welcome drink and a little intro, we roamed through areas of his home and were lucky enough to get a peek into his studio. When someone asked how long Fuster had worked on the house and yard, the reply was
“30 years and it still isn't finished."
| Fuster's studio |
| Yard sculptures and buildings |
That evening, we sat down on
hand decorated cement benches around a colorful, round table with mosaics
embedded in the cement top and edges, to a delightful house-prepared meal by Fuster's son-in-law Franklin.

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